User contributions for Wtrettien

22 May 2024

• 18:2618:26, 22 May 2024 diff hist +9,533‎ N Lupton 2018 ‎ Created page with "Lupton, Christina. ''Reading and the Marking of Time in the Eighteenth Century.'' Baltimore: Johns Hopkins University Press, 2018. == Introduction: When Do We Read? == Our days are flooded with small texts that contract and expand to fit the minutes we choose to give them. But when do we read books, those texts whose heft seems more plaintively than ever an appeal to reading’s duration? 1 I do not believe that the minutes crowded by messages, HBO series, and childc..." current
• 15:3115:31, 22 May 2024 diff hist +149‎ Main Page ‎ →‎History of Reading / Compiling / Arranging
• 14:5514:55, 22 May 2024 diff hist +10‎ Lupton 2012 ‎ →‎Introduction: Giving Power to the Medium current
• 14:4014:40, 22 May 2024 diff hist +3‎ Lupton 2012 ‎ →‎Introduction: Giving Power to the Medium
• 14:3914:39, 22 May 2024 diff hist +8,599‎ Lupton 2012 ‎ →‎Prologue
• 14:3014:30, 22 May 2024 diff hist +4,375‎ N Lupton 2012 ‎ Created page with "Lupton, ''Knowing Books'' (2012) == Prologue == Almost immediately, I was struck by the ways much of this literature was self-reflexive in its own terms, not just about representation, but about the material, economic, and colonial contexts of textual production. Could imperialist and elitist l ture that announced its ideological operations be held responsible for them in the same way as literature that conducted them more by stealth? Were commercially produced texts..."
• 14:2814:28, 22 May 2024 diff hist +172‎ Main Page ‎ →‎Book History

5 April 2024

• 15:2515:25, 5 April 2024 diff hist +15‎ Mechanical typesetting ‎No edit summary
• 15:2515:25, 5 April 2024 diff hist +8,817‎ N Mechanical typesetting ‎ Created page with "== Melissa Score, "Interred in Printing House Vaults: Pianotype Composing Machines of the 1840s," ''Victorian Periodicals Review'' 49.4 (Winter 2016): 578-597. == …the pianotype composing machine is not just a footnote in the inevitable rise of Linotype technology but an artefact that interro- gates preconceived ideas of the compositor’s role and raises the question of why, in the 1840s and 1850s, the mechanization of typesetting was inspired by the workings of the..."
• 15:2115:21, 5 April 2024 diff hist +48‎ Typewriters ‎No edit summary
• 15:1915:19, 5 April 2024 diff hist +32‎ N Player piano ‎ Created page with "see Ord-Hume, ''Pianola'' (1984)" current
• 15:1815:18, 5 April 2024 diff hist +18‎ From Type to .txt ‎No edit summary
• 15:1815:18, 5 April 2024 diff hist +80‎ Telegraphy ‎No edit summary
• 15:1715:17, 5 April 2024 diff hist +49‎ Telegraphy ‎No edit summary
• 15:1615:16, 5 April 2024 diff hist +175‎ N Telegraphy ‎ Created page with "Colligan and Linley 2011 -- Ivan Raykoff chapter on piano interface in early telegraphs, typewriters, and player pianos Kieve 1973 -- British history of the telegraph"
• 15:1615:16, 5 April 2024 diff hist +111‎ Main Page ‎ →‎19th Century Media & Technology
• 15:1615:16, 5 April 2024 diff hist −111‎ Main Page ‎ →‎History of Computing
• 15:1515:15, 5 April 2024 diff hist +166‎ N Typewriters ‎ Created page with "Greene 2022 -- chapter on Typewriters Colligan and Linley 2011 -- Ivan Raykoff chapter on piano interface in early telegraphs, typewriters, and player pianos"
• 15:1415:14, 5 April 2024 diff hist +61‎ From Type to .txt ‎No edit summary
• 15:1315:13, 5 April 2024 diff hist +82‎ Greene 2022 ‎No edit summary current
• 15:1315:13, 5 April 2024 diff hist +3,577‎ N Greene 2022 ‎ Created page with "== 43. Typewriter == As a matter of fact, the first known patent for such a machine was granted by Queen Anne on January 7, 1714, to an inventor named Henry Mill. The 1714 p ent straightforwardly described the work of the “artificial machine,” but no record exists of the machine ever being built by Henry Mill. Later attempts at such a machine were made in Italy and other countries using harpsichord keyboards, which became known as “literary pianos.” Some of th..."
• 15:1115:11, 5 April 2024 diff hist +122‎ Main Page ‎ →‎19th Century
• 15:0915:09, 5 April 2024 diff hist +7,759‎ Colligan and Linley 2011 ‎ →‎intro current
• 15:0715:07, 5 April 2024 diff hist +4,293‎ N Colligan and Linley 2011 ‎ Created page with "Colligan, Colette and Margaret Linley, eds. Media, Technology, and Literature in the Nineteenth Century: Image, Sound, Touch. Burlington, Vt.: Ashgate Pub. Company, 2011. == intro == … media machines, but in tandem with unprecedented increases in literacy rates, enlargement of urban spaces and imperial networks, and expansion of industrialization and commodity exchange, the nineteenth century experienced the emergence of media ubiquity. after a century of innovative..."
• 15:0515:05, 5 April 2024 diff hist +197‎ Main Page ‎No edit summary

21 February 2024

• 02:1802:18, 21 February 2024 diff hist +147‎ Owen's cipher wheel and Baconians ‎ →‎Elizabeth Wells Gallup, The Bi-lateral Cipher of Francis Bacon (1899) current

19 February 2024

• 20:2320:23, 19 February 2024 diff hist +47‎ Owen's cipher wheel and Baconians ‎ →‎Recent scholarship
• 20:2220:22, 19 February 2024 diff hist +466‎ Owen's cipher wheel and Baconians ‎ →‎Recent scholarship
• 20:1920:19, 19 February 2024 diff hist +202‎ Owen's cipher wheel and Baconians ‎ →‎Orville Ward Owen, Sir Francis Bacon’s Cipher Story (1893)
• 20:1720:17, 19 February 2024 diff hist −1,888‎ Owen's cipher wheel and Baconians ‎ →‎Recent scholarship
• 20:1620:16, 19 February 2024 diff hist +198‎ Owen's cipher wheel and Baconians ‎ →‎Elizabeth Wells Gallup, The Bi-lateral Cipher of Francis Bacon (1899)
• 20:1620:16, 19 February 2024 diff hist +10,050‎ N Owen's cipher wheel and Baconians ‎ Created page with "Bacon cipher collection NYPL * Some has been digitized: https://digitalcollections.nypl.org/search/index?utf8=%E2%9C%93&keywords=bacon+cipher Finding aid: https://archives.nypl.org/mss/176 == Delia Bacon, The Philosophy of the Plays of Shakespeare Unfolded (1857) == “'It was a time when authors, who treated of a scientific politics and of a scientific ethics internally connected with it, naturally preferred this more philosophic, symbolic method of indicating their c..."
• 20:1020:10, 19 February 2024 diff hist +39‎ From Type to .txt ‎No edit summary
• 20:1020:10, 19 February 2024 diff hist +47‎ Main Page ‎ →‎Projects

6 February 2024

• 19:0919:09, 6 February 2024 diff hist +50‎ Facsimiles ‎No edit summary current

2 February 2024

• 17:2117:21, 2 February 2024 diff hist +181‎ Facsimiles ‎ →‎Radio facsimile / radiofax
• 17:1917:19, 2 February 2024 diff hist +96‎ Facsimiles ‎ →‎Radio facsimile / radiofax
• 16:5616:56, 2 February 2024 diff hist +3,989‎ Facsimiles ‎ →‎Radio facsimile / radiofax
• 16:1416:14, 2 February 2024 diff hist +190‎ Facsimiles ‎ →‎Radio facsimile / radiofax
• 16:1216:12, 2 February 2024 diff hist +325‎ Facsimiles ‎ →‎Radio facsimile / radiofax
• 16:0116:01, 2 February 2024 diff hist +154‎ Facsimiles ‎ →‎Radio facsimile / radiofax
• 15:4915:49, 2 February 2024 diff hist +1,511‎ Facsimiles ‎ →‎Radio facsimile / radiofax
• 15:3215:32, 2 February 2024 diff hist +359‎ Facsimiles ‎ →‎Radio facsimile / radiofax
• 15:2915:29, 2 February 2024 diff hist +35‎ Facsimiles ‎ →‎Photostats in libraries
• 15:2915:29, 2 February 2024 diff hist +125‎ Facsimiles ‎ →‎Writings on facsimiles
• 15:2715:27, 2 February 2024 diff hist +142‎ Facsimiles ‎ →‎Photostats in libraries
• 15:2515:25, 2 February 2024 diff hist +400‎ Facsimiles ‎ →‎Micrography in libraries / Microfilm in general
• 15:2315:23, 2 February 2024 diff hist +192‎ N From Type to .txt ‎ Created page with "Jacquard loom woven book Joseph Marie Jacquard and his loom Charles Babbage Herman Hollerith Early computing devices Punched cards Lithography Facsimiles"
• 15:2315:23, 2 February 2024 diff hist +31‎ Main Page ‎ →‎Projects

18 January 2024

• 18:5018:50, 18 January 2024 diff hist +18,008‎ N Hartman 2019 ‎ Created page with "Hartman, Saidiya. ''Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals.'' Norton, 2019. == A Note on Method == Page xiv · Location 48 I have crafted a counter-narrative liberated from the judgment and classification that subjected young black women to surveillance, arrest, punishment, and confinement, and offer an account that attends to beautiful experiments—to make living an art—undertaken by t..." current