Becoming Plant: Difference between revisions
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see [[Eisenstein 1983]], 187-8; medieval florilegia, gathering of spiritual flowers in a spiritual garden transformed by Thomas Browne's notion of "suck[ing] Divinity from the flower of Nature" | see [[Eisenstein 1983]], 187-8; medieval florilegia, gathering of spiritual flowers in a spiritual garden transformed by Thomas Browne's notion of "suck[ing] Divinity from the flower of Nature"; "the seventeenth-century writer appears to be rejecting rather than echoing the literary allegorical conventions which had been cultivated by generations of monks." (188) |
Revision as of 00:47, 25 September 2010
"surface effect" -- see Wilson [1] Wilson 1995 on microscope removing privilege of surface -- we only see surface, scenery, not hidden machinery behind it; also Deleuze, "Paradox of Surface Effects" [2] Deleuze 1990
affective history
metaphor of "COMPENDIUM", folding up of plants
Leibniz, Monadologie -- example of blowing up something, the way one would with a microscope, to see its operation -- these mechanisms never explain the being's consciousness/perception; also see 64, on divine technologies as being composed of machines ad infinitum
- "Each portion of matter can be conceived as like a garden full of plants, or like a pond full of fish. But each branch of a plant, each organ of an animal, each drop of its bodily fluids is also a similar garden or a similar pond." (67)
- "And although the earth and the air separating the plants in the garden, or the water separating the fish in the pond, are neither plant nor fish, yet they still contain them — though they are usually far too small for us to be able to perceive them." (68)
see Bennett 2010 on vitalism, around 78; Dreisch's entelechy is an "intensive manifold"; Bergson's elan vital is "in the form of a sheaf" (see pg 78)
"The Gathered Text" conference: [3]
Thomas Sprat -- bishop of Church of England, historian of the Royal Society; but had a Reformation: "both have taken a like course to bring this about; each of them passing by the corrupt ccopies and referring themselves to the perfect originals for instruction; the one to Scripture, the other to the huge Volume of Creatures." (Sprat 1667 III.23, qtd in Eisenstein 668, Olson 1994 58)
Halliday traces grammatical style that condenses multiple ideas into a complex technical discourse to c17 science; turning verbs, actions, into objects through written language (Olson 1994 118)
see Eisenstein 1983, 187-8; medieval florilegia, gathering of spiritual flowers in a spiritual garden transformed by Thomas Browne's notion of "suck[ing] Divinity from the flower of Nature"; "the seventeenth-century writer appears to be rejecting rather than echoing the literary allegorical conventions which had been cultivated by generations of monks." (188)