Echoes of the Little Gidding Harmonies: Difference between revisions
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:[[Wilcox 2014]] | :[[Wilcox 2014]] | ||
=== John Bagford, Antiquaries === | |||
on antiquaries: | |||
* Antiquaries, book collectors, and the circles of learning, edited by Robin Myers and Michael Harris (1996) | |||
* Antiquaries : the discovery of the past in eighteenth-century Britain, by Rosemary Sweet (2004) | |||
* Making history : antiquaries in Britain, 1707-2007 (2007) | |||
* Antiquaries & archaists : the past in the past, the past in the present, edited by Megan Aldrich and Robert J. Wallis (2009) | |||
== transtemporal == | == transtemporal == | ||
Revision as of 19:07, 28 June 2017
This is a space for research notes on my monograph, based on my dissertation. For dissertation notes on Little Gidding, see this link.
Bibliography
On the Harmonies
- Acland-Troyte 1888 -- early accounts of Harmonies, written from perspective of someone who owned one (now the Cotsen volume)
- Henderson 1982 -- on Bolswert's engravings as extra-illustrations in Bibles, relationship to Laudian controversies
- Stewart 1986 -- chapter on the Harmonies as materializations of values of Herbert's verse
- Dyck 2003 -- on active reading and harmony construction as Herbertian process of devotion
- Ransome 2005 -- account of the Harmonies and changes to them over time
- Baron et al. 2007 -- Aston on use of Images from Foxe's Book of Martyrs in the King's Harmony
- Dyck 2008 -- overview and close reading of King's Harmony, including some moving parts; excellent descriptions of Bibles used and their connection to court
- Hallock et al. 2008 -- discussion of some of the natural imagery in King's Harmony & eclectic model of ecological justice
- Nelson and Terras 2012 -- Dyck et al. on process of digitizing/marking up King's Harmony
- Dekoninck et al. 2012 -- Michael Gaudio, discussion of concordances as both obsessed with visual imagery and iconoclastic, esp. Acts and Revelations
- Smyth 2012 -- on Herbert's verse and the rhetoric of cutting, quoting Harmonies & their connection to GH
- Gaudio 2013 -- Harmonies as walking fine line between popery and puritanism; Laudian double-rhetoric
- Smyth 2015 -- denaturalizes cutting/pasting; on archive of unusued prints
- Cop 2016 -- drawing attention to LG's use of Garthwait's Monotesseron in King's Harmony
On the Story Books & Little Academy
- Barbour 2001 -- reads LG, esp Story Books, as example of Caroline "church heroic," a post-Elizabethan Protestant synthesis of myth and lived reality
- Lynch and Scott 2008 -- Kate Riley, background and context on purpose of Little Academy
- Shuger 2014 -- excellent discussion of LG as experiment in republicanism and even feminism, through close readings of the Story Books and Mary's role as Mother
On Nicholas Ferrar or LG in general
- Bindley 1887 -- brief first-hand account of a pilgrimage to LG; rehashing biography's descriptions of life in the community
- Fletcher 1893 -- brief mention of community in context of history of bookbinding
- Skipton 1907 -- biography/hagiography of Nicholas Ferrar
- Ransome 2009 -- on the afterlife of LG, efforts to publish NF biography and material remnants of community -- plans to use this material to support development of religious socities
- Ransome 2011 -- biography of Nicholas Ferrar and the community
- Ransome 2015 -- on the "Instructions" of NF and education at LG
On Mary Ferrar
- Sharland 1912 -- about Mary Collet as "Mother" of the community, and a letter from Crashaw mentioning his affection for her after his exile
- Pebworth and Summers 1997 -- Paul Parrish, article on LG as proto-feminist community, focusing on Mary Collet and relation to Crashaw
- Shuger 2014 -- excellent discussion of LG as experiment in republicanism and even feminism, through close readings of the Story Books and Mary's role as Mother
On Herbert & LG
- Stewart 1986 -- chapter on the Harmonies as materializations of values of Herbert's verse
- Dyck 2003 -- on active reading and harmony construction as Herbertian process of devotion
- Ransome 2008 -- focusing especially on development of night vigils and temperance; translations of Valdes and others
- Smyth 2012 -- on Herbert's verse and the rhetoric of cutting, quoting Harmonies & their connection to GH
Cutting / Fragmentation
- Erler 1992 -- "pasted-in embellishments"
- Smyth 2004 -- A discussion of John Gibson's commonplace or miscellany, showing how he used fragmented prints and printed texts, anagrams, and collecting practices to express a pro-Crown agenda.
- Smyth 2012 -- on Herbert's verse and the rhetoric of cutting, quoting Harmonies & their connection to GH
Early Modern Women / Religion / Bibles
- Coles 2008 -- argues that the figure of the religious woman had disruptive cultural power
- Killeen 2011 -- short article arguing we need a more robust understanding of how the bible shaped discussions around regicide; take seriously religious beliefs and biblical rhetoric
- Molekamp 2013 -- most comprehensive study of early modern women's religious writings and experiences to date
John Bagford, Antiquaries
on antiquaries:
- Antiquaries, book collectors, and the circles of learning, edited by Robin Myers and Michael Harris (1996)
- Antiquaries : the discovery of the past in eighteenth-century Britain, by Rosemary Sweet (2004)
- Making history : antiquaries in Britain, 1707-2007 (2007)
- Antiquaries & archaists : the past in the past, the past in the present, edited by Megan Aldrich and Robert J. Wallis (2009)
transtemporal
"Transnational history is all the rage. Transtemporal history has yet to come into vogue." (Guldi and Armitage 2014 15)
preposterous history -- ""In alignment with intercultural relationality, we could call it intertemporal . Such a term reminds us of the thick mutuality of relation, as opposed to a lean linearity of progress." (Bal 2008 152)
--> read Bal, Quoting Caravaggio, for more on preposterous history
Harris 2009 on "untimely matter"
Erkki Huhtamo's latest book
Geology of Media
Manuel de Landa, A Thousand Years of Nonlinear History
microhistory -- Ginzburg 1980
Zielinski -- deep time of the media
Anachronic Renaissance
"polychronic" readings -- Latour, Serres
Feminisms
Kember 2016 -- offers up a model of genre blending (interwoven excerpts from novel-in-progress, theory, manifesto); influenced deeply by Haraway and "Sf", finding figures that are in-between; reading of "manifesto" that could ground the genre of the intro; queries glass and its intentions to mediate transparently whill still being present (c.f. with Galloway 2012 -- media aim to but can never fully disappear), and advocates hypermediacy as feminist alternative; showing/exposing the messiness of mediation as feminist strategy to undo/rewrite/restory the myths of technology