Little Gidding
- "Quite possibly this solution was at the prompting of Lister's wife, appalled at the prospect of so many years of devoted labour by her husband coming to nought in the end through the prohibitive cost of setting so huge a work in type. Certainly it was she, together with at least one of their daughters (researchers interpret the evidence differently as to how many of those were involved), who took upon themselves the immense task of producing the nearly 1,000 engravings, from their own preliminary sketches, a task to which they must have sacrificed considerably more than their leisure hours during the seven years that the first and main instalment was in production. 'I doe not wonder your workw[omen] begin to be tired,' a concerned Edward Llwyd wrote to Lister from Oxford as the work was nearing completion in 1692, 'you have held them so long to it' -- though the image of Lister as an ever-hovering taskmaster that those words conjure up is probably misleading: the others more probably took part contentedly, of their own volition. though it has been far from unusual over the years for naturalists to enlist the services of their wives and children for searching and collecting (as Ray was doing in that very same period in connection with the Historia insectorum), instances of a family conveyor belt for producing illustrations must be very rare by comparison. In one respect, however, the Listers were to be outdone by the early 19c Baxters: many of the plates for British Phaenogamous Botany, a long-running part-work by their father, the curator of the University Botanic Garden at Oxford, were produced not only by his daughters but by a daughter-in-law as well." (Allen 2010 56-7)
Baert, Barbara and Kathryn M. Rudy, eds. Weaving, veiling, and dressing : textiles and their metaphors in the late Middle Ages. Turnhout: Brepols, 2007.
Nelson 1974 -- published his book by scrapbooking a bunch of writings and sending it to someone to photograph/print; weaving metaphors: "COMPUTERDOM IS AN IMMENSE INTERTWINGLED TAPESTRY", "Programming is the WEAVING OF PLANS OF EVENTS" (CL 40)
McLeod 1994 -- see Random Cloud essay
Smyth 2010 -- see 38; pins linked closely with texts/books (texts as fabrics); 40, almanacs invoking readers to cut page; Anne Clifford hanging up papers with sayings, 91; see also 93n132
Lewalski, Protestant poetics.
Kugler, Errant plagiary.
Commonplace books:
- Moss, Printed commonplace books.
- Havens, Commonplace books.
- Crane, Framing authority.
- Sherman, John Dee.
- New Ways of Looking at Old Texts.
- Lechner, Renaissance Concepts of the Commonplace.
Writing and Women, eds. Lawrence-Mathers, Hardman
cento: a poem made from patches, from the Latin word for a patchwork cloak; done by Empress Eudocia, see [1]
on Elizabeth I's Glass translation:
- Marc Shell, Elizabeth's Glass
- "Your Humble Handmaid: Elizabethan Gifts of Needlework," Renaissance Quarterly 50 (1997): 459-93.
- "guilty Sisters: Marguerite de Navarre, Elixabeth of England, and the Miroir"
Ann Rosalind Jones and Peter Stallybrass, Renaissance Clothing and the Materials of Memory.
Women, Writing, and the Reproduction of Culture in Tudor and Stuart Britain.
Hackett, Helen. Women and Romance Fiction in the English Renaissance.
Snook, Edith. Women, Reading, and the Cultural Politics of Early Modern England.
WOMEN ADVISING WOMEN: Advice Books, Manuals and Journals for Women, 1450-1837.
Harmonies:
Coles, Religion, Reform, and Women's Writing in Early Modern England
- "And for your behaviour to your Wife, the Scripture can best give you counsell therein" (see Lewalski 1993, 16), for quote from James I about husbands toward wives; note in particular the phrase "such a sweet harmonie")
Reading Communities from Salons to Cyberspace
[quilted banner|http://www.quiltindex.org/docs/Vol3_no1-compressed.pdf]
Sea of Silk
Timothy Ward, Word and supplement: Speech Acts, Biblical Texts, and the Sufficiency of Scripture
Cummings, The Literary Culture of the Reformation
John Locke, splintering of reading; see Dobranski 2005 30; Tyndale, sucking the pith out of scripture so everything pertains to oneself
Kintgen, "Reconstructing Elizabethan Reading"
Kerrigan, "The Editor as Reader"
"Elizabeth Middleton, John Bourchier, and the compilation of seventeenth-century religious manuscripts". Library (0024-2160), 2 (2), p. 131.
Roger Chartier, "Leisure and Sociability: Reading Aloud in Modern Europe", Urban Life in the Renaissance
Silent But for the Word: Tudor Women As Patrons, Translators, and Writers of Religious Works
see Marotti 1995, 26
Writing for Women: The Example of Woman as Reader in Elizabethan Romance
on the publication of Herbert's Temple, see Cambridge University Press 1584-1984, by M. H. Black, pp. 68-86; also Marotti 1995, 256n103
Eikon Basilike
English women, religion, and textual production, 1500-1625 By Micheline White
Women's Writing and the Circulation of Ideas: Manuscript Publication in England
Sidney Psalms
- Donne, "Upon the translation of the Psalms by Sir PHilip Sidney, and the Countess of Pembroke his sister": "A brother and a sister, made by thee / The organ, where thou art the harmony."
- Pembroke, "Even now that care": "Btu n he did warp, I weaved this web to end; / the stuff not ours, our work no curious thing" -- bestowing poems as a "livery robe" to Queen Elizabeth
Society and Culture in Early Modern France
Miles Smith, preface to KJV
Lancelot Andrewes, relationship to George Herbert
look up Esther Inglis, digital images of books at Folger site
Shorthouse, Joseph Henry. John Inglesant. London: Macmillan, 1881.
Maycock, A. L. Nicholas Ferrar of Little Gidding. London: SPCK, 1938.
Maycock, Alan. Chonicles of Little Gidding. London: SPCK, 1954.
Skipton, H. P. K. The Life and Times of Nicholas Ferrar. London: A. R. Mowbray & Co., Ltd., 1907.