Schreibman and Siemans 2008

Algorithmic Criticism, by Stephen Ramsay

[1]

"But "algorithmic criticism" — criticism prompted by the algorithmic manipulation of literary texts — either does not exist, or exists only in nascent form. The digital revolution, for all its wonders, has not penetrated the core activity of literary studies, which, despite numerous revolutions of a more epistemological nature, remains mostly concerned with the interpretive analysis of written cultural artifacts. Texts are browsed, searched, and disseminated by all but the most hardened Luddites in literary study, but seldom are they transformed algorithmically as a means of gaining entry to the deliberately and self-consciously subjective act of critical interpretation."

literary critical "facts" stand in different relation to the "facts"/empiricism of science

"In some sense, humanistic discourse seems to lacks methodology; it cannot describe the ground rules of engagement, the precise means of verification, or even the parameters of its subject matter."

"from a purely cultural standpoint, literary criticism operates at a register in which understanding, knowledge, and truth occur outside of the narrower denotative realm in which scientific statements are made. It is not merely the case that literary criticism is concerned with something other than the amassing of verified knowledge. Literary criticism operates within a hermeneutical framework in which the specifically scientific meaning of fact, metric, verification, and evidence simply do not apply."

"All of this leaves the project of text analysis in a difficult position. For even if we are willing to concede the general utility of computational methods for the project of humanistic inquiry, we must nonetheless contend with a fundamental disjunction between literary critical method and computational method. The logic that underlies computation, though not scientific in the strict sense of the term, conforms easily to the methodologies of science. Computers are, as Hockey noted, good at counting, measuring, and (in a limited sense) verifying data, and we judge the tractability of data by the degree to which it can be made to conform to these requirements. When it comes to literary criticism, however, we find that the "data" is almost entirely intractable from the standpoint of the computational rubric." (c.f., though, Nelson 1974?)