Facsimiles: Difference between revisions
Jump to navigation
Jump to search
No edit summary |
No edit summary |
||
| Line 3: | Line 3: | ||
https://twitter.com/SocAntiquaries/status/1183774797844623360 "Charles Stothard was commissioned to draw the Bayeux Tapestry for the Society in 1816. During his 3 visits to Bayeux he also made small plaster casts - by taking wax impressions of the linen - to capture the detail of the embroidery. Of course, this would never be allowed today!" | https://twitter.com/SocAntiquaries/status/1183774797844623360 "Charles Stothard was commissioned to draw the Bayeux Tapestry for the Society in 1816. During his 3 visits to Bayeux he also made small plaster casts - by taking wax impressions of the linen - to capture the detail of the embroidery. Of course, this would never be allowed today!" | ||
https://blogs.library.duke.edu/preservation/2019/10/18/hidden-hornbooks/ | |||
Revision as of 13:38, 31 October 2019
https://manuscriptroadtrip.wordpress.com/2014/01/18/manuscript-road-trip-the-spanish-forger/
- The Spanish Forger -- 19/20c making medieval illuminated initials; reusing parchment, sometimes text/image don't relate
https://twitter.com/SocAntiquaries/status/1183774797844623360 "Charles Stothard was commissioned to draw the Bayeux Tapestry for the Society in 1816. During his 3 visits to Bayeux he also made small plaster casts - by taking wax impressions of the linen - to capture the detail of the embroidery. Of course, this would never be allowed today!"
https://blogs.library.duke.edu/preservation/2019/10/18/hidden-hornbooks/