Piper 2009: Difference between revisions
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"bibliographic surplus" at the turn of the 19th century (5) | "bibliographic surplus" at the turn of the 19th century (5) | ||
* increasing '''diversity''' of books and bibliographic formats circulating | |||
* increasing '''homogeneity''' of geography; books translated across multiple sites (6) | |||
using bibliographic imagination of 19c to understand digital present (7) | |||
:"A study of how nineteenth-century individuals became wedded to or possessed by their books can broaden our perspective of the nature of 'new media' cultures and historical experiences of 'media transition. It can offer parallels, but also differences, to our current process of adapting to communicative change." (7) | |||
emphasizing '''continuities''' between bookish past and digital present; similarities: | |||
* | * the notion of a network | ||
* the status of the "copy" | |||
* remediating culture data into new forms | |||
== Networking == | == Networking == |
Revision as of 18:54, 30 May 2010
Piper, Andrew. Dreaming in Books: The Making of the Bibliographic Imagination in the Romantic Age. Chicago, IL: University of Chicago Press, 2009.
Introduction: Bibliographic Subjects
"Hypothesis: All is Leaf." -- J. W. Goethe
books <--> literature
- "Learning how to read books and how to want books did not simply occur through the technological, commercial, or legal conditions that made the growing proliferation of books possible. The making of such bibliographic fantasies was also importantly a product of the very narratives and symbolic operations contained within books as well. It was through romantic literature where individuals came to understand themselves." (4)
"bibliographic surplus" at the turn of the 19th century (5)
- increasing diversity of books and bibliographic formats circulating
- increasing homogeneity of geography; books translated across multiple sites (6)
using bibliographic imagination of 19c to understand digital present (7)
- "A study of how nineteenth-century individuals became wedded to or possessed by their books can broaden our perspective of the nature of 'new media' cultures and historical experiences of 'media transition. It can offer parallels, but also differences, to our current process of adapting to communicative change." (7)
emphasizing continuities between bookish past and digital present; similarities:
- the notion of a network
- the status of the "copy"
- remediating culture data into new forms