SAA 2015 - Revision history

Wtrettien at 16:24, 5 April 2015

2015-04-05T16:24:08Z

← Older revision		Revision as of 16:24, 5 April 2015
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	Carl Stahmer -- feature point extraction in image matching in EBBA; actually using text matching from extracting feature points when you search -- automatically extracted info from feature points and keywords added by users; essentially turning images into text		Carl Stahmer -- feature point extraction in image matching in EBBA; actually using text matching from extracting feature points when you search -- automatically extracted info from feature points and keywords added by users; essentially turning images into text

			Mike Witmore -- thought experiment: MRI brain scan while reading a play; can it show it's a comedy? better than a computer analysis?
			* http://winedarksea.org/?p=2180

Wtrettien at 00:31, 5 April 2015

2015-04-05T00:31:50Z

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	* Trouve's skull pin "has no digital vernacular"		* Trouve's skull pin "has no digital vernacular"
	* http://jentery.github.io/saa		* http://jentery.github.io/saa

			"Form, Complexity, and Computation" seminar

			"how do we operationalize certain effects?" -- how to turn back from corpus-wide perspectives back to specific moments

			Augmented Criticism Lab: http://acriticismlab.org/

			computer as "unsupervised system"

			Early Modern Print: Text Mining Early Printed English: http://earlyprint.wustl.edu/

			Carl Stahmer -- feature point extraction in image matching in EBBA; actually using text matching from extracting feature points when you search -- automatically extracted info from feature points and keywords added by users; essentially turning images into text

Wtrettien at 17:13, 4 April 2015

2015-04-04T17:13:18Z

← Older revision		Revision as of 17:13, 4 April 2015
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	* not adaptation but displacement; projective, not retrospective		* not adaptation but displacement; projective, not retrospective
	* "On Algorithmic Theatre"		* "On Algorithmic Theatre"

			"The Way We Think Now: Shakespearean Studies in the Digital Turn" panel

			Ellen MacKay
			* using Frances Yates, thinking about Camillo's theatre of memory as proto-digital knowledge structure
			* Camillo -- sense of loss; attempting to recapture fluency of thought; Camillo prefigures virtual sense of the past -- digital virtualizations/visualizations can do the same
			* "simulation of a sense of the past"
			* frequent failure of digital media to achieve epiphanic fluency of thought -- resurgence of Camillo
			* artificial memory performs the gaps in the original
			* glitchiness -- "almost but not quite being there" of theatre history
			* Rothko restoration through projection: http://news.harvard.edu/gazette/story/2014/05/a-light-touch-for-rothko-murals/

			Christopher Warren
			* Six Degrees of Francis Bacon: http://sixdegreesoffrancisbacon.com/
			* Jacob Moreno -- sociogram; history of social network visualizations
			* "intellectual history of thinking the relation"
			* Arendt -- study of human condition is also a study of social networks that produce that condition
			* Hope and Witmore -- "buckets"; more fluid categories of relationality
			* what relations do we want to count, categorize, compare?
			* John Wilkins -- language through relations

			Jentery Sayers
			* wearable electric technology at end of 19c -- Trouvé
			* http://collections.vam.ac.uk/item/O115814/stick-pin-cadet-picard-auguste/
			* possible this stick pin never did what it said it would - eyes roll, jaw snap
			* lab prototyping this pin
			* Trouve may have been first to remediate telegraph sounder into jewelry
			* doing similar making with born-digital materials is harder; lacks opaqueness of materiality
			* Trouve's skull pin "has no digital vernacular"
			* http://jentery.github.io/saa

Wtrettien at 04:07, 4 April 2015

2015-04-04T04:07:24Z

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			"Shakespeare and the Book" seminar

			exceptions -- how to read them?

			"ENTAILMENT" -- Michael Witmore and Jonathan Hope on genre; genre "entails" certain pronouns

			Nehemas, "Writer Text Work Author" -- alternative to Foucault's "What is an Author?"

			Puttenham on parentheses

	"Shakespeare and the Cut" plenary		"Shakespeare and the Cut" plenary

Wtrettien: Created page with ""Shakespeare and the Cut" plenary Bruce Smith, "Rethinking the Cut in an Age of Distraction * fetishizing cuts today * omissions only became 'cuts' in 1670s; 18c 'cut' become..."

2015-04-04T04:04:08Z

Created page with ""Shakespeare and the Cut" plenary Bruce Smith, "Rethinking the Cut in an Age of Distraction * fetishizing cuts today * omissions only became 'cuts' in 1670s; 18c 'cut' become..."

New page

"Shakespeare and the Cut" plenary

Bruce Smith, "Rethinking the Cut in an Age of Distraction
* fetishizing cuts today
* omissions only became 'cuts' in 1670s; 18c 'cut' becomes established term, perhaps because of editions
* film gave the term new currency
* need a phenomenology of cutting: perception, materials/technology, aesthetics
* Smock Alley promptbooks, late 17c, Dublin; G. Blakemore Evans argument about them
*cutwork in construction of Shx mss
* "seamed" -- Cavendish uses this term as a metaphor for writing plays
* importance of cutwork in costumes
* Burroughs -- Shakespeare cut-ups; Los Angeles Museum of Art (most cuts have already been processed/typed up)

Thomas Cartelli
* difference-making engine of cutting
* not adaptation but displacement; projective, not retrospective
* "On Algorithmic Theatre"