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	<title>Heale 2003 - Revision history</title>
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	<updated>2026-04-29T14:29:48Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>Wtrettien: Created page with ':Heale, Elizabeth. ''Autobiography and Authorship in Renaissance Verse: Chronicles of the Self.'' New York: Palgrave Macmillan, 2003.  :&quot;In Gascoigne's narratives, although the m…'</title>
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		<updated>2013-04-20T17:38:01Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;:Heale, Elizabeth. &amp;#039;&amp;#039;Autobiography and Authorship in Renaissance Verse: Chronicles of the Self.&amp;#039;&amp;#039; New York: Palgrave Macmillan, 2003.  :&amp;quot;In Gascoigne&amp;#039;s narratives, although the m…&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;:Heale, Elizabeth. ''Autobiography and Authorship in Renaissance Verse: Chronicles of the Self.'' New York: Palgrave Macmillan, 2003.&lt;br /&gt;
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:&amp;quot;In Gascoigne's narratives, although the men do the writing, women are identified as the source and cause of the instability of courting and courtly languages. In this discourse of a feminized courtly world, males who succeed become by definition lady's men, abandoning a stable male use of language for an unstable female one.&amp;quot; (34)&lt;br /&gt;
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points out that while critics see her as writing within tradition of Turberville's translations of ovid's ''Heroides'', &amp;quot;the language of her poems in this volume is more strikingly close to some of Turbervile's verse in the voice of Pyndara in ''Epitaphes, epigrams, Songs and Sonets''.&amp;quot; (36)&lt;br /&gt;
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:&amp;quot;Out of the fragments and phrases of the flexible discourses of courting and aphoristic counsel, she ... constructs a voice and point of view that is then presented as personal and autobiographical.&amp;quot; (37) -- just like writers borrowing from Tottel's authors&lt;br /&gt;
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:&amp;quot;Is. W.'s implied presence is a rhetorical device to stabilize a conventional discourse as true speech.&amp;quot; (37)&lt;br /&gt;
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:&amp;quot;Whitney's publication of her own secular poems in the form of a miscellany was a remarkably bold act.&amp;quot; (37)&lt;br /&gt;
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:&amp;quot;Whitney demonstrates great skill and wit in adapting the normally male-gendered conventions of the early Elizabethan single-author collections to serve her own female-gendered self-presentation.&amp;quot; (37)&lt;br /&gt;
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:&amp;quot;the 'herbs' and 'flowers' metaphors, so popular with early Elizabethan miscellanists, are neatly gendered to represent Whitney as engaged in a woman's task, gathering medicinal herbs for the care and health of friends and family&amp;quot; (38)&lt;/div&gt;</summary>
		<author><name>Wtrettien</name></author>
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