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	<title>Heale 2003 - Revision history</title>
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	<updated>2026-11-15T06:02:38Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>http://whitneyannetrettien.com/whiki/index.php?title=Heale_2003&amp;diff=2749&amp;oldid=prev</id>
		<title>Wtrettien: Created page with &#039;:Heale, Elizabeth. &#039;&#039;Autobiography and Authorship in Renaissance Verse: Chronicles of the Self.&#039;&#039; New York: Palgrave Macmillan, 2003.  :&quot;In Gascoigne&#039;s narratives, although the m…&#039;</title>
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		<updated>2013-04-20T17:38:01Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;:Heale, Elizabeth. &amp;#039;&amp;#039;Autobiography and Authorship in Renaissance Verse: Chronicles of the Self.&amp;#039;&amp;#039; New York: Palgrave Macmillan, 2003.  :&amp;quot;In Gascoigne&amp;#039;s narratives, although the m…&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;:Heale, Elizabeth. &amp;#039;&amp;#039;Autobiography and Authorship in Renaissance Verse: Chronicles of the Self.&amp;#039;&amp;#039; New York: Palgrave Macmillan, 2003.&lt;br /&gt;
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:&amp;quot;In Gascoigne&amp;#039;s narratives, although the men do the writing, women are identified as the source and cause of the instability of courting and courtly languages. In this discourse of a feminized courtly world, males who succeed become by definition lady&amp;#039;s men, abandoning a stable male use of language for an unstable female one.&amp;quot; (34)&lt;br /&gt;
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points out that while critics see her as writing within tradition of Turberville&amp;#039;s translations of ovid&amp;#039;s &amp;#039;&amp;#039;Heroides&amp;#039;&amp;#039;, &amp;quot;the language of her poems in this volume is more strikingly close to some of Turbervile&amp;#039;s verse in the voice of Pyndara in &amp;#039;&amp;#039;Epitaphes, epigrams, Songs and Sonets&amp;#039;&amp;#039;.&amp;quot; (36)&lt;br /&gt;
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:&amp;quot;Out of the fragments and phrases of the flexible discourses of courting and aphoristic counsel, she ... constructs a voice and point of view that is then presented as personal and autobiographical.&amp;quot; (37) -- just like writers borrowing from Tottel&amp;#039;s authors&lt;br /&gt;
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:&amp;quot;Is. W.&amp;#039;s implied presence is a rhetorical device to stabilize a conventional discourse as true speech.&amp;quot; (37)&lt;br /&gt;
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:&amp;quot;Whitney&amp;#039;s publication of her own secular poems in the form of a miscellany was a remarkably bold act.&amp;quot; (37)&lt;br /&gt;
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:&amp;quot;Whitney demonstrates great skill and wit in adapting the normally male-gendered conventions of the early Elizabethan single-author collections to serve her own female-gendered self-presentation.&amp;quot; (37)&lt;br /&gt;
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:&amp;quot;the &amp;#039;herbs&amp;#039; and &amp;#039;flowers&amp;#039; metaphors, so popular with early Elizabethan miscellanists, are neatly gendered to represent Whitney as engaged in a woman&amp;#039;s task, gathering medicinal herbs for the care and health of friends and family&amp;quot; (38)&lt;/div&gt;</summary>
		<author><name>Wtrettien</name></author>
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