<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>http://whitneyannetrettien.com/whiki/index.php?action=history&amp;feed=atom&amp;title=Hamilton_et_al._2002</id>
	<title>Hamilton et al. 2002 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://whitneyannetrettien.com/whiki/index.php?action=history&amp;feed=atom&amp;title=Hamilton_et_al._2002"/>
	<link rel="alternate" type="text/html" href="http://whitneyannetrettien.com/whiki/index.php?title=Hamilton_et_al._2002&amp;action=history"/>
	<updated>2026-04-29T13:27:51Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.38.1</generator>
	<entry>
		<id>http://whitneyannetrettien.com/whiki/index.php?title=Hamilton_et_al._2002&amp;diff=4188&amp;oldid=prev</id>
		<title>Wtrettien: Created page with &quot;== Achille Mbembe, &quot;The Power of the Archive and its Limits&quot; ==   Archive is both building and documents within it; “The status and the power of the archive derive from this...&quot;</title>
		<link rel="alternate" type="text/html" href="http://whitneyannetrettien.com/whiki/index.php?title=Hamilton_et_al._2002&amp;diff=4188&amp;oldid=prev"/>
		<updated>2019-09-25T20:16:00Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;== Achille Mbembe, &amp;quot;The Power of the Archive and its Limits&amp;quot; ==   Archive is both building and documents within it; “The status and the power of the archive derive from this...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Achille Mbembe, &amp;quot;The Power of the Archive and its Limits&amp;quot; == &lt;br /&gt;
&lt;br /&gt;
Archive is both building and documents within it; “The status and the power of the archive derive from this entanglement of building and documents.” (19)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
“Archives are the product of a process which converts a certain number of documents into items judged to be worthy of preserving and keeping in a public place, where they can be consulted according to well-established procedures and regulations.” (20)&lt;br /&gt;
&lt;br /&gt;
“Over and above the ritual of making secret, it seems clear that the archive is primarily the product of a judgement, the result of the exercise of a specific power and authority, which involves placing certain documents in an archive at the same time as others are discarded. The archive, therefore, is fundamentally a matter of discrimination and of selection, which, in the end, results in the granting of a privileged status to certain written documents, and the refusal of that same status to others, thereby judged ‘unarchivable’. The archive is, therefore, not a piece of data, but a status.” (20)&lt;br /&gt;
&lt;br /&gt;
Archive has a material status that does away with doubt and gives it status of proof; “The final destination of the archive is therefore always situated outside its own materiality, in the story that it makes possible.” (21)&lt;br /&gt;
&lt;br /&gt;
Also status is imaginary&lt;br /&gt;
&lt;br /&gt;
&amp;quot;No archive can be the depository&lt;br /&gt;
of the entire history of a society, of all that has happened in that&lt;br /&gt;
&lt;br /&gt;
society. Through archived documents, we are presented with pieces of&lt;br /&gt;
&lt;br /&gt;
time to be assembled, fragments of life to be placed in order, one after&lt;br /&gt;
&lt;br /&gt;
the other, in an attempt to formulate a story that acquires its coherence&lt;br /&gt;
&lt;br /&gt;
through the ability to craft links between the beginning and the&lt;br /&gt;
&lt;br /&gt;
end. A montage of fragments thus creates an illusion of totality and&lt;br /&gt;
&lt;br /&gt;
continuity. In this way, just like the architectural process, the time&lt;br /&gt;
&lt;br /&gt;
woven together by the archive is the product of a composition.” (21)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Instituting imaginary of the archive “originates in this trade with death”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
3 dimensions:&lt;br /&gt;
&lt;br /&gt;
“Struggle against the fragments of life being dispersed” (22)&lt;br /&gt;
Act of burial, archive as sepulture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Examining archives is to be interested in that which life has left&lt;br /&gt;
&lt;br /&gt;
behind, to be interested in debt. However, it is also to be preoccupied&lt;br /&gt;
with debris. In this sense, both the historian and the archivist inhabit&lt;br /&gt;
a sepulchre. They maintain an intimate relationship with a world&lt;br /&gt;
alive only by virtue of an initial event that is represented by the act&lt;br /&gt;
of dying. This being the case, writing history merely involves manipulating&lt;br /&gt;
archives. Following tracks, putting back together scraps and&lt;br /&gt;
debris, and reassembling remains, is to be implicated in a ritual&lt;br /&gt;
which results in the resuscitation of life, in bringing the dead back to&lt;br /&gt;
life by reintegrating them in the cycle of time, in such a way that&lt;br /&gt;
they find, in a text, in an artefact or in a monument, a place to inhabit,&lt;br /&gt;
from where they may continue to express themselves.” (25)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;To a very large&lt;br /&gt;
&lt;br /&gt;
extent, the historian is engaged in a battle against this world of spectres.&lt;br /&gt;
&lt;br /&gt;
The latter find, through written texts, a path to an existence&lt;br /&gt;
&lt;br /&gt;
among mortals - but an existence that no longer unfolds according&lt;br /&gt;
&lt;br /&gt;
to the same modality as in their lifetime. It may be that historiography,&lt;br /&gt;
&lt;br /&gt;
and the very possibility of a political community (polis), are&lt;br /&gt;
&lt;br /&gt;
only conceivable on condition that the spectre, which has been&lt;br /&gt;
&lt;br /&gt;
brought back to life in this way, should remain silent, should accept&lt;br /&gt;
&lt;br /&gt;
that from now on he may only speak through another, or be represented&lt;br /&gt;
&lt;br /&gt;
by some sign, or some object which, not belonging to any one&lt;br /&gt;
&lt;br /&gt;
in particular, now belongs to all.” (25)&lt;/div&gt;</summary>
		<author><name>Wtrettien</name></author>
	</entry>
</feed>