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	<id>http://whitneyannetrettien.com/whiki/index.php?action=history&amp;feed=atom&amp;title=Francis_Quarles</id>
	<title>Francis Quarles - Revision history</title>
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	<updated>2026-04-29T19:42:42Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.38.1</generator>
	<entry>
		<id>http://whitneyannetrettien.com/whiki/index.php?title=Francis_Quarles&amp;diff=4134&amp;oldid=prev</id>
		<title>Wtrettien: /* English emblems */</title>
		<link rel="alternate" type="text/html" href="http://whitneyannetrettien.com/whiki/index.php?title=Francis_Quarles&amp;diff=4134&amp;oldid=prev"/>
		<updated>2018-03-01T18:03:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;English emblems&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:03, 1 March 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;** Emblematik und Drama in Zeitalter des Barock (1964)— emphasizing allegory, symbolism&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;** Emblematik und Drama in Zeitalter des Barock (1964)— emphasizing allegory, symbolism&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;** Emblemata Handbuch (1967)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;** Emblemata Handbuch (1967)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Rosemary Freeman (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1970&lt;/del&gt;)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Rosemary Freeman (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1967&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* German use of semiotics and communications theory, turn to reader reception of emblem&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* German use of semiotics and communications theory, turn to reader reception of emblem&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* problem of what to call emblem writer — and how to acknowledge agency of printer/publisher in producing emblems (18)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* problem of what to call emblem writer — and how to acknowledge agency of printer/publisher in producing emblems (18)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Charles Moseley, A Century of Emblems (1989) (19-20)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Charles Moseley, A Century of Emblems (1989) (19-20)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Carsten-Peter warncke, Sprechende Bilder (1987)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Carsten-Peter warncke, Sprechende Bilder (1987)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wtrettien</name></author>
	</entry>
	<entry>
		<id>http://whitneyannetrettien.com/whiki/index.php?title=Francis_Quarles&amp;diff=4133&amp;oldid=prev</id>
		<title>Wtrettien: Created page with &quot;== English emblems ==   History of scholarship , from Daly and Silcox, The Modern Critical Reception of the English Emblem (1991):  * Victorian revival, Henry Green’s biblio...&quot;</title>
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		<updated>2018-03-01T14:43:14Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;== English emblems ==   History of scholarship , from Daly and Silcox, The Modern Critical Reception of the English Emblem (1991):  * Victorian revival, Henry Green’s biblio...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== English emblems == &lt;br /&gt;
&lt;br /&gt;
History of scholarship , from Daly and Silcox, The Modern Critical Reception of the English Emblem (1991): &lt;br /&gt;
* Victorian revival, Henry Green’s bibliography of editions of Alciato&lt;br /&gt;
* first decades of 20c, Continental scholars investigating intellectual and cultural sources of emblem; Karl Giehlow and Ludwig Volkmann&lt;br /&gt;
* 1930s, mannerism re-discovered, Mario Praz’s Studies in 17c Imagery (1939) — emphasizes wit and enigma, tradition that continues in art history&lt;br /&gt;
* “The iconographical research associated with the Warburg Institute did much to draw attention to the emblem as a symbolic mode, but emblems were mostly used in the interpretation of larger works of art. Consequently, the resulting criticism often resembles the topos-criticism of litrary history.” (11) — books “rarely considered forthemselves in their own right” (11)&lt;br /&gt;
* Robert J. Clements, Picta Poesis (1960), “places emblem books in the general context of Renaissance aesthetics and literary theory” (11)&lt;br /&gt;
* “reawakening of interest among German critics since the 1960s” (11)&lt;br /&gt;
** Emblematik und Drama in Zeitalter des Barock (1964)— emphasizing allegory, symbolism&lt;br /&gt;
** Emblemata Handbuch (1967)&lt;br /&gt;
* Rosemary Freeman (1970)&lt;br /&gt;
* German use of semiotics and communications theory, turn to reader reception of emblem&lt;br /&gt;
* problem of what to call emblem writer — and how to acknowledge agency of printer/publisher in producing emblems (18)&lt;br /&gt;
* Charles Moseley, A Century of Emblems (1989) (19-20)&lt;br /&gt;
Carsten-Peter warncke, Sprechende Bilder (1987)&lt;/div&gt;</summary>
		<author><name>Wtrettien</name></author>
	</entry>
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