Edward Benlowes - Revision history

Wtrettien at 13:13, 5 June 2018

2018-06-05T13:13:00Z

← Older revision		Revision as of 13:13, 5 June 2018
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	Collectanea anglo-poetica: https://books.google.com/books?id=GDrRAAAAMAAJ&pg=PA254&dq=prynne+benlowes&hl=en&sa=X&ved=0ahUKEwju5ILbr8vXAhUHNiYKHRG-DvcQ6AEIJzAA#v=onepage&q=prynne%20benlowes&f=false -- includes quote: "Any one, however, who is an admirer of the writings of Du brats, of Dr. Henry More as a poet, and Dr. Joseph Beaumont, cannot do otherwise than entertain a favorable opinion of Bellows.		Collectanea anglo-poetica: https://books.google.com/books?id=GDrRAAAAMAAJ&pg=PA254&dq=prynne+benlowes&hl=en&sa=X&ved=0ahUKEwju5ILbr8vXAhUHNiYKHRG-DvcQ6AEIJzAA#v=onepage&q=prynne%20benlowes&f=false -- includes quote: "Any one, however, who is an admirer of the writings of Du brats, of Dr. Henry More as a poet, and Dr. Joseph Beaumont, cannot do otherwise than entertain a favorable opinion of Bellows.

			Chancery Final Decrees: http://www.uh.edu/waalt/index.php/Main_Page --> search "Schoren" or "Belowes"

Wtrettien: /* patronage */

2018-05-02T02:34:08Z

patronage

← Older revision		Revision as of 02:34, 2 May 2018
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	"In February 1639/40 Quarles’s son-in-law, Euseby Marbury, was in need of £30. Not being able to supply that amount himself, Quarles decided to obtain a loan and approached Eglesfield, who, at the time, owed him £100 for copies of Emblemes and Hieroglyphikes. Eglesfield was unable to provide the neces- sary £30 from his own resources, but he was willing to help. Eventually, the requisite sum was obtained of one Paul Tey upon Eglesfield’s bond, in which he was joined by Williams. By way of security Quarles deposited the text- copy and the engraved copperplates of Emblemes and Hieroglyphikes with Eglesfield and Williams. "		"In February 1639/40 Quarles’s son-in-law, Euseby Marbury, was in need of £30. Not being able to supply that amount himself, Quarles decided to obtain a loan and approached Eglesfield, who, at the time, owed him £100 for copies of Emblemes and Hieroglyphikes. Eglesfield was unable to provide the neces- sary £30 from his own resources, but he was willing to help. Eventually, the requisite sum was obtained of one Paul Tey upon Eglesfield’s bond, in which he was joined by Williams. By way of security Quarles deposited the text- copy and the engraved copperplates of Emblemes and Hieroglyphikes with Eglesfield and Williams. "

			== Phineas Fletcher ==

			=== Purple Island, edition of 2017 ===

			Modeled on Spenser; pastoral divided into 12 cantos as shepherd Thirsil recounts his story over the course of seven days

			Anatomical and devotional perspectives on the body

			“Fletcher combines detailed anatomical description with religious devotion in order to produce an allegorical epic that explores the body as the contexted terrain on and over which virtues and vices battle.” (2)

			“Fletcher’s text is intended to address this paradox of the native foreignness of the body, emphasizing the alterity of that which is closest to us and our need ot overcome it by learning about the body from a devotional perspective.” (2)

			“colonial gains and losses are no more than distracting plots and scenes that contribute nothing to the salvation of either the individual or the nation” (4) — Fletcher instead promotes “self-colonization”

			Know thyself was commonplace maxim in 17c England, but “by employing this maxim in an allegorical context that links the self with body, island, and nation, however, Fletcher pushes that maxim to a logical extremity that idealizes an asocial, anchoritic body. Fletcher’s ideal England is isolationist, focused on internal, domestic issues rather than concerns beyond its shoreline.” (4)

			Sexual overtones in narrative moments

			Fletcher’s self-referencing and recyling — Langdale has listed Fletcher’s self-repetition, counting 215 instances across the poet’s body of work

			Humoralism; Sawday says it is “last gasp” of medieval way of thinking about the body, but this way persisted throughout 17c

			Structurally follows outline of anatomical lecture

			Temporal structure follows Du Bartas, La Semaine

			William Cowper, The Anatomy of a Christian Man (1613)

			Poem something of a failure, but “we must remain attentive to Fletcher’s structural goals for the poem as a whole” (18) — must read like chpater of an anatomy book, not as narrative progression — “Narrative cohesion or even progression is not the goal of the anatomist” (19)

	== patronage ==		== patronage ==

Wtrettien at 03:00, 16 February 2018

2018-02-16T03:00:02Z

← Older revision		Revision as of 03:00, 16 February 2018
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			look into --> Cressing-Temple; mentioned by Bellows in Lusus and Sphinx

			--

	On Chetham Library's copy of ''Theophila'': http://chethamslibrary.blogspot.com/2015/08/theophila-and-curious-letter-m.html		On Chetham Library's copy of ''Theophila'': http://chethamslibrary.blogspot.com/2015/08/theophila-and-curious-letter-m.html

Wtrettien: /* = “The Imagery of Francis Quarles’ Emblemes”, Eleanor James (1943) */

2018-02-14T02:24:20Z

= “The Imagery of Francis Quarles’ Emblemes”, Eleanor James (1943)

← Older revision		Revision as of 02:24, 14 February 2018
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	Comparing Quarles and Milton’s Samson		Comparing Quarles and Milton’s Samson

	=== “The Imagery of Francis Quarles’ Emblemes”, Eleanor James (1943) ==		== “The Imagery of Francis Quarles’ Emblemes”, Eleanor James (1943) ==

	Emblems — 12 editions before 1700, 44 up to 1943		Emblems — 12 editions before 1700, 44 up to 1943
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	"In February 1639/40 Quarles’s son-in-law, Euseby Marbury, was in need of £30. Not being able to supply that amount himself, Quarles decided to obtain a loan and approached Eglesfield, who, at the time, owed him £100 for copies of Emblemes and Hieroglyphikes. Eglesfield was unable to provide the neces- sary £30 from his own resources, but he was willing to help. Eventually, the requisite sum was obtained of one Paul Tey upon Eglesfield’s bond, in which he was joined by Williams. By way of security Quarles deposited the text- copy and the engraved copperplates of Emblemes and Hieroglyphikes with Eglesfield and Williams. "		"In February 1639/40 Quarles’s son-in-law, Euseby Marbury, was in need of £30. Not being able to supply that amount himself, Quarles decided to obtain a loan and approached Eglesfield, who, at the time, owed him £100 for copies of Emblemes and Hieroglyphikes. Eglesfield was unable to provide the neces- sary £30 from his own resources, but he was willing to help. Eventually, the requisite sum was obtained of one Paul Tey upon Eglesfield’s bond, in which he was joined by Williams. By way of security Quarles deposited the text- copy and the engraved copperplates of Emblemes and Hieroglyphikes with Eglesfield and Williams. "

			== patronage ==

			Van Pelt Library. BX5179 .C43 2013.

			Van Pelt Library. BX1492 .Q47 2006.

			an Pelt Library. PN721 .M42 2016

			Van Pelt Library. DA396.A5 H46 2008

			an Pelt Library. HN373 .Y68 2006.

	== bespoke / handmade / "privately" printed verse assemblages / collections ==		== bespoke / handmade / "privately" printed verse assemblages / collections ==

Wtrettien: /* bespoke / handmade / "privately" printed verse assemblages / collections */

2018-02-14T01:56:44Z