http://whitneyannetrettien.com/whiki/index.php?title=Panofsky_1982&feed=atom&action=historyPanofsky 1982 - Revision history2024-03-29T05:50:48ZRevision history for this page on the wikiMediaWiki 1.38.1http://whitneyannetrettien.com/whiki/index.php?title=Panofsky_1982&diff=2656&oldid=prevWtrettien at 00:02, 11 December 20122012-12-11T00:02:40Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">:Panofsky 1982|</del>Panofsky, Richard J., ed. ''The Floures of Philosophie (1572) by Hugh Platt and A Sweet Nosgay (1573) and the Copy of a Letter (1567) by Isabella Whitney.'' Delmar, New York: Scholars' Facsimiles & Reprints, 1982.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Panofsky, Richard J., ed. ''The Floures of Philosophie (1572) by Hugh Platt and A Sweet Nosgay (1573) and the Copy of a Letter (1567) by Isabella Whitney.'' Delmar, New York: Scholars' Facsimiles & Reprints, 1982.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Introduction == </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Introduction == </div></td></tr>
</table>Wtrettienhttp://whitneyannetrettien.com/whiki/index.php?title=Panofsky_1982&diff=2655&oldid=prevWtrettien: Created page with ':Panofsky 1982|Panofsky, Richard J., ed. ''The Floures of Philosophie (1572) by Hugh Platt and A Sweet Nosgay (1573) and the Copy of a Letter (1567) by Isabella Whitney.'' Delmar…'2012-12-11T00:02:20Z<p>Created page with ':Panofsky 1982|Panofsky, Richard J., ed. ''The Floures of Philosophie (1572) by Hugh Platt and A Sweet Nosgay (1573) and the Copy of a Letter (1567) by Isabella Whitney.'' Delmar…'</p>
<p><b>New page</b></p><div>:Panofsky 1982|Panofsky, Richard J., ed. ''The Floures of Philosophie (1572) by Hugh Platt and A Sweet Nosgay (1573) and the Copy of a Letter (1567) by Isabella Whitney.'' Delmar, New York: Scholars' Facsimiles & Reprints, 1982.<br />
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== Introduction == <br />
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Plat's ''Floures'' -- Senecan proverbs, "derives from the complex manuscript tradition of the ''Proverbia Senecae'', which inclues material from Publilius Syrus the mime, St. Marten of Braga, and such pseudo-SEnecan works as the ''Liber de moribus''" (vii) -- see J. L. Heller, Classical Weekly 36 (1942-3): 151-2.<br />
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Whitney follows his first 97 sentences closely; then begins to group related sayings together (see table on x)<br />
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:"Plat's allegory of these customs in part teases the customer to buy his book and in part asserts for the reader a moral exercise. His amorous readers will stumble, here and there, across anti-love sententiae and so will make unexpected discovery of truths. The miscellaneous ordering creates such opportunities: as the readers imitate bees in tasting now this and now that particular flower, they are prepared for the sudden personal application of a truism or an example. They are also asked to play a game, to spend time in the profitable exercise of perception and discovery. Thus Plat's and other collections of moral sentences can claim at least indirect kinship with such game-books as ''The Book of Fortune'' and ''Wit's labyrinth, or, the exercise of idleness''." (xi)<br />
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:"The ideas and literary techniques in ''A Sweet Nosegay'' are by no means original. Its style of exaggerated complaint, with stock literary and Biblical references and a vocabulary of emotional extremes, is familiar to all readers of middle-Elizabethan poetry. The book is original, rather, in its application of life to literary convention and in its energetic fortune." (xiii)<br />
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1570s, poets trying out different forms of narrative sequencing -- Turberville Epitaphs (1567), Gascoigne's Hundreth sundry flowers (1573), The Rock of Regard (1576), Nicholas Breton's Small Handful of Fragrant Flowers (1575)<br />
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:"CAn Whitney be made out t be an Elizabethan feminist? ... In all, my sense is that Whitney wished to claim no special identity as a woman author, but that her sex was one fact among others in this very personal work." (xix)<br />
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Jones also printed Symon's "A pleasnt Poesie" (xx)</div>Wtrettien