Kierkegaard 1843: Difference between revisions

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"I am at the end of my rope. I am nauseated by life; it is insipid -- without salt and meaning. If i were hungrier than Pierrot, I would not choose to eat the explanation people offer. One sticks a finger into the ground to smell what country one is in; I stick my finger into the world -- it has no smell. Where am I? What does it mean to say: the world? What is the meaning of the word? Who tricked me into this whole thing and leaves me standing here? Who am I? How did I get into the world? Why was I not asked about it, why was I not informed of the rules and regulations but just thrust into the ranks as if I had been bought from a peddling shanghaier of human beings? How did I get involved in this big enterprise called actuality? '''Why should I be involved? Isn't it a matter of choice?''' And if I am compelled to be involved, where is the manager -- I have something to say about this. Is there no manager? '''To whom shall I make my complaint?''' After all, life is a debate -- may I ask that my observations be considered? If one has to take life as it is, would it not be best to find out how things go?" (200 -- letter from Young Man to Silent Confidant)
'''INSOMNIA'''
 
:"I know a place a few miles from Copenhagen where a young girl lives; I know the big shaded garden with its many trees and bushes. I know a bushy slope a short distance away, from which, concealed by the brush, one can look down into the garden. I have not divulged this to anyone; not even my coachman knows it, for I deceive him by getting out some distance away and walking to the right instead of the left. '''When my mind is sleepless and the sight of my bed makes me more apprehensive than a torture machine does, even more than the operating table strikes fear in the sick person, then I drive all night long.''' Early in the morning, I lie in hiding in the shelter of the brush. When life begins to stir, when the sun opens its eye, when the bird shakes its wings, when the fox steals out of its cave, when the farmer stands in his doorway and gazes out over the fields, when the milkmaid walks with her pail down to the meadow, when the reaper makes his scythe ring and entertains himself with this prelude, which becomes the day's and the task's refrain -- then the young girl also appears. '''Fortunate the one who can sleep! Fortunate the one who can sleep so lightly that sleep itself does not become a burden heavier than that of the day!''' Fortunate the one who can rise from his bed as if no one had rested there, so that the bed itself is cool and delicious and refreshing to look at, as if the sleeper had not rested upon it but only bent over it to straighten it out! Fortunate the one who can die in such a way that even one's deathbed, the instant one's body is removed, looks more inviting than if a solicitous mother had shaken and aired the covers so that the child might sleep more peacefully! Then the young girl appears and walks around in wonderment (who marvels most, the girl or the trees!), then she crouches and picks from the bushes, then skips lightly about, then stands still, lost in thought,. What wonderful persuasion in all this! Then at last my mind finds repose."
 
 
'''EXISTENCE'''
 
:"I am at the end of my rope. I am nauseated by life; it is insipid -- without salt and meaning. If i were hungrier than Pierrot, I would not choose to eat the explanation people offer. One sticks a finger into the ground to smell what country one is in; I stick my finger into the world -- it has no smell. Where am I? What does it mean to say: the world? What is the meaning of the word? Who tricked me into this whole thing and leaves me standing here? Who am I? How did I get into the world? Why was I not asked about it, why was I not informed of the rules and regulations but just thrust into the ranks as if I had been bought from a peddling shanghaier of human beings? How did I get involved in this big enterprise called actuality? '''Why should I be involved? Isn't it a matter of choice?''' And if I am compelled to be involved, where is the manager -- I have something to say about this. Is there no manager? '''To whom shall I make my complaint?''' After all, life is a debate -- may I ask that my observations be considered? If one has to take life as it is, would it not be best to find out how things go?" (200 -- letter from Young Man to Silent Confidant)

Revision as of 15:40, 20 August 2010

INSOMNIA

"I know a place a few miles from Copenhagen where a young girl lives; I know the big shaded garden with its many trees and bushes. I know a bushy slope a short distance away, from which, concealed by the brush, one can look down into the garden. I have not divulged this to anyone; not even my coachman knows it, for I deceive him by getting out some distance away and walking to the right instead of the left. When my mind is sleepless and the sight of my bed makes me more apprehensive than a torture machine does, even more than the operating table strikes fear in the sick person, then I drive all night long. Early in the morning, I lie in hiding in the shelter of the brush. When life begins to stir, when the sun opens its eye, when the bird shakes its wings, when the fox steals out of its cave, when the farmer stands in his doorway and gazes out over the fields, when the milkmaid walks with her pail down to the meadow, when the reaper makes his scythe ring and entertains himself with this prelude, which becomes the day's and the task's refrain -- then the young girl also appears. Fortunate the one who can sleep! Fortunate the one who can sleep so lightly that sleep itself does not become a burden heavier than that of the day! Fortunate the one who can rise from his bed as if no one had rested there, so that the bed itself is cool and delicious and refreshing to look at, as if the sleeper had not rested upon it but only bent over it to straighten it out! Fortunate the one who can die in such a way that even one's deathbed, the instant one's body is removed, looks more inviting than if a solicitous mother had shaken and aired the covers so that the child might sleep more peacefully! Then the young girl appears and walks around in wonderment (who marvels most, the girl or the trees!), then she crouches and picks from the bushes, then skips lightly about, then stands still, lost in thought,. What wonderful persuasion in all this! Then at last my mind finds repose."


EXISTENCE

"I am at the end of my rope. I am nauseated by life; it is insipid -- without salt and meaning. If i were hungrier than Pierrot, I would not choose to eat the explanation people offer. One sticks a finger into the ground to smell what country one is in; I stick my finger into the world -- it has no smell. Where am I? What does it mean to say: the world? What is the meaning of the word? Who tricked me into this whole thing and leaves me standing here? Who am I? How did I get into the world? Why was I not asked about it, why was I not informed of the rules and regulations but just thrust into the ranks as if I had been bought from a peddling shanghaier of human beings? How did I get involved in this big enterprise called actuality? Why should I be involved? Isn't it a matter of choice? And if I am compelled to be involved, where is the manager -- I have something to say about this. Is there no manager? To whom shall I make my complaint? After all, life is a debate -- may I ask that my observations be considered? If one has to take life as it is, would it not be best to find out how things go?" (200 -- letter from Young Man to Silent Confidant)